Sated with good food, good company, and plenty of music listening, it was not easy to put on my blogger’s mantle, but then I saw the cover of the just-issued Jazz Times and, well, I was roused to blog a bit. Our pals at JT seem pretty much determined to prove my point that much of what passes for feature writing in their magazine is simple puffery, fed by the blast furnaces of PR hot air. What else can explain yet another cover story on Tony Bennet? The ostensible reason this time is Mr. Bennett’s new Christmas album with the “Basie Band.” How’s that for advancing the art of jazz? Read the rest of this entry »

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For those of you not familiar with the name David Byrne, he was the strange man in the suit and horned-rimmed glasses chopping at his forearm in the Talking Heads “Once In A Lifetime” video. Talking Heads long-time producer, Brian Eno, has been a long-time collaborator of Byrne’s. The show was billed as The Songs Of David Byrne and Brian Eno, right there, you know it’s going to be…

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Last night i saw ADAM BIENER of SHERAZADA.

He told me that they have a new bassist and drummer.

They will have new merchandise available soon.

they are heading back to the studio to start writing, recording and mixing, mastering and cutting new tracks.

They have 4 shows coming up.

-leigh Silbernagel

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Kanye West: 808’s and Heartbreak

The songs that are not about heartbreak are your classic Kanye self-swagger tributes: powerful tracks with stylistically well-done use of an auto-tune that showcases Kanye’s impressive vocal range and control. Ranging from the resolved, empowerment-anthem: “Welcome to Heartbreak,” to the unexpected throwback early 90s beat “Paranoid:” Kanye knows what he does best, and he delivers it once again.

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Assuming you have any money left following our current economic downturn, or, almost as good perhaps, know someone who does, let me recommend a few gift ideas. I figure this is safer bet than slagging jazz magazines, or knocking a certain jazz radio station, but who knows. So, here are some ideas for you and yours to consider. Read the rest of this entry »

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The songs that are not about heartbreak are your classic Kanye self-swagger tributes: powerful tracks with stylistically well-done use of an auto-tune that showcases Kanye’s impressive vocal range and control. Ranging from the resolved, empowerment-anthem: “Welcome to Heartbreak,” to the unexpected throwback early 90s beat “Paranoid:” Kanye knows what he does best, and he delivers it once again. Read the rest of this entry »

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Valencia’s brand new video for “Where Did You Go?” is available now on their MySpace:

http://vids.myspace.com/index.cfm?fuseaction=vids.showvids&friendID=1736005&n=1736005&MyToken=a8bb9674-06c6-4067-b527-4c8ac2fb4b45&utm_medium=columbia-email&utm_source=valencia&utm_campaign=columbia-email|valencia|20081121

-leigh silbernagel

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As many know, the MTV show Total Request Live, known by its nickname TRL, ended its ten-year run on November 16. Many fans and musicians, who made their big breaks appearing on the show, attended the “Total Finale Live” special. I’m guessing millions more saw it on television. It was a poignant ending without the fact that it was the end of a series. Deeper thinking, though, reveals something more painful. It is the official end of an era that has been struggling to stay alive for years, its absence seen but never spoken of despite being so obvious…the end of “M” in MTV. Read the rest of this entry »

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Well, it seems as if I have created a bit of a kerfuffle as a result of my post, “Why Our Jazz Magazines are Bad… and Bad for Jazz.” Who knew? It’s nice to know our little blogspot is getting some attention. In fact, Lee Mergner, editor of Jazz Times, on another website that I happened to come across by chance, huffed and puffed and, showing way more energy than in anything I have read by him or his staff of high-powered writers lately, tried to blow our post down. He didn’t even come close. The fact is, such an apoplectic response tells me that I have struck a nerve, and that the nerve was worth striking. One line from Lee’s blog post really caught my attention:

“For the record, I believe firmly that JazzTimes and Downbeat are much better magazines than most people in the jazz community realize.”

Lee, if “most people in the jazz community” don’t see the value in what Jazz Times and your colleagues at Downbeat put out each month, don’t you think it’s time for you to start trying to understand why they feel this way, start trying to listen to their concerns and criticisms, and start trying to make the sort of changes your magazine needs to make to again become a relevant and worthwhile voice in the jazz community? Read the rest of this entry »

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I was asked why my blogs do not appear weekly.  The simple answer to this question is: life.  I am currently rehearsing my solo acoustic show, I am also participating in my company’s Christmas show, so I have to learn three X-mas songs.  This should prove interesting, as I am not a religious person.

But this week, even more extraneous circumstances have arisen that makes one think perhaps everything we are doing is pointless.

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Greetings from Princeton Record Exchange,

Recently arrived: over 3,000 Jazz LPs!

We have just bought a nice, large jazz LP collection.  The majority of these records are 70′s pressings of bop and post-bop small combos along with some traditional and big-band.  The records and covers are, for the most part, extremely clean.  It is a pleasure to see so many fine jazz LPs in such great shape. Read the rest of this entry »

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The cover picture and cover story for this month’s (December 2008) DownBeat (DB) heralds Keith Jarrett’s election to the DB Hall of Fame (HOF). Does Jarrett belong in the Hall of Fame? Well, I suppose the immediate and obvious answer is: Yes. Yet I am uncomfortable with the selection. I have reservations. Indeed, I would like to borrow from the recent discussions regarding the Baseball HOF, and suggest that Jarrett, while he might belong in this venerable jazz institution, should be entered with an asterisk next to his name (figuratively speaking of course), in the same way that many have suggested that such baseball stars as Barry Bonds, Sammy Sosa, Mark McGuire, and Pete Rose, were they to be inducted, also be awarded the asterick symbolizing a tainted achievement. Let me offer a few reasons why. Read the rest of this entry »

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That Guitar man from Central Park; David Ippolito

Self-described as “Acoustic-storytelling like James Taylor might have written if heavily influenced by the Beatles and Broadway.”

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My pal and I traveled to An Die Musik in Baltimore, Maryland Saturday night to hear two groups: Trio Bramm, from Holland, and All Coda, all from the Baltimore area with the exception of New York-based saxophonist Tim Berne. There was exciting music on offer, all in a small (perhaps 80 seats), comfortable (got to love those stuffed armchairs), and in a welcome departure from much current practice, unamplified format (although the bass players and guitarist did use small amp pickups that did not alter the essentially acoustic nature of the set). The performances were excellent, and the in the case of Trio Braam, particularly interesting and inventive. At the end, though, I was left with a question that has vexed me of late. Read the rest of this entry »

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