Archive for the 'Album Reviews' Category
More Other Stuff
Author: Anthony Medici
My order from Clean Feed came in yesterday. In case you’ve been misled by those pop-jazz magazine polls into thinking the usual suspects (Blue Note, Verve, ECM) are actually issuing jazz recordings of real artistic interest, let me fill you in: Clean Feed, a label based, perhaps rather improbably, out of Portugal, is among the new leaders in creative improvised music. The label, started in 2001, has performed brilliantly, and features some superb artists: Anthony Braxton, Evan Parker, Tony Malaby, Steve Lehman, Charles Gayle, Paul Dunmall, and many other artists who are continuing to advance the art of creative improvised music. Where the industry “giants” look for the next Norah Jones clone, or pop star in need of a jazz “makeover,” Clean Feed is still about the “sound of surprise.” Blue Note used to be like this, but it has lost its way, depending upon a stream of reissues and pop crossovers to fill its roster and beholden to a corporate titan to adhere to the bottom line. Blue Note is now part of the “industrial-musical complex.” Anyway, the first two Clean Feeds out of the shipping box and into the CD player were Tony Malaby’s TAMARINDO, and Evan Parker’s A GLANCING BLOW. Read the rest of this entry »
read comments (2)The Appropriate Category for Amadou & Mariam’s Music is “Great”
Author: John Moses
I’ve been telling my friends about how much I like Amadou & Mariam’s music. Since they’re not well-known in the U.S. yet, the question that inevitably comes up is, “What sort of music is it? Who do they sound like?” After trying several weakly descriptive, “it’s-sort-of-like-this-and-sort-of-like-that” responses, I’ve settled on, “It’s just great, fun music. You should give it a listen.” Read the rest of this entry »
Vocal Blanketing: Ethereal Music for Rainy Days
Author: Adrienne Brown
Recently, during a rather frazzled moment of negotiating the vehicular nightmare that is Commercial Avenue in New Brunswick, I heard one of the most soothing songs to ever reach my ears. My radio was tuned in to 90.3 The Core (Rutgers University Radio) and the song that was playing was Generosity by Mirah. Not only was her vocal style an unexpected comfort as I weaved through traffic and random pedestrians, but the accompanying violins brought me to a place far from the industrial landscape. As a voracious reader of music magazines, I encountered articles extolling the wonder of Mirah, but had never actually given her music a listen.
“Rufus Huff”
Author: Beverly Paterson
Not an individual artist, but a full-blown band, Rufus Huff features the talents of lead singer Jarrod England, Kentucky HeadHunters guitarist Greg Martin, bassist Dean Smith and drummer Chris Hardesty. Focusing on the sounds they grew up on and motivated them to make their own music, the foursome specializes in the type of heavy rock and roll penetrating FM radio in the late sixties and early seventies. In view of their self-titled debut album, there’s no mistake Rufus Huff has what it takes to recreate such wild and crazy expressions. Read the rest of this entry »
Kyle Vincent “Where You Are”
Author: Beverly Paterson
Growing up in Berkeley, California, Kyle Vincent was seduced by the music bug at a very early age. By the time he was eight years old, he was playing saxophone in school jazz bands and later took lessons from guitar god Joe Satriani. Read the rest of this entry »
Some Other Stuff
Author: Anthony Medici
It arrived on the scene inconspicuously, without fanfare. It had been on my want list for ages. I only came across it online while I was looking for something else. I found out it was released on February 24, 2009 in its current incarnation. A welcome arrival, indeed. What am I talking about (you may well ask)? I am referring to the Rudy Van Gelder series release on Blue Note of trombonist Grachan Moncur III’s laconically titled Some Other Stuff, recorded July 6, 1964 at RVG’s studio in Englewood Cliffs, NJ, and released initially in 1965 on Blue Note. It is one of the great “inside -outside” albums produced by Blue Note. For some reason, previous issues of this album on both LP and CD had proved hard to come by. Even repeated trips to our dearly beloved PREX failed to turn up a copy. I mulled purchasing the Moncur 3-CD box set on Mosaic just to get it, but I had all the other albums contained on the set and was loathe to pay the asking price just to complete my Moncur collection. Now the Moncur set is out of print (and already commanding high asking prices), but here was the individual album that I sought, complete with Reid Miles original and enigmatic cover art, and with an added annotation by Bob Blumenthal. It did not take long to hit “Buy,” and pop it into the CD player on arrival. Read the rest of this entry »
The Shamey Jays “Four Of Your Pretty Packages”
Author: Beverly Paterson
Pazz and Jop with The Bad Plus
Author: Anthony Medici
The title of the new The Bad Plus (hereafter TBP) CD on Heads Up, “For All I Care,” is as ambiguous, ambivalent, and inscrutable as the rest of the album. Perhaps the band is telling us that it cares for all types of music and things and people, that its approach is determinedly egalitarian and universal. Or maybe it is telling us, defensively, in advance, and in anticipation of the usual TBP criticism, that it doesn’t much care what we think of the album, that they are going to do what they want, not what we want them to do. I suppose that it is both of these things. They want us to hear them; they’re not terribly interested in hearing us. For example, their blog, DO THE MATH, demonstrates their wide interests in things musical and cultural; however, they long since stopped accepting comments from readers on their posts. It’s a High Modernist conception of the artist as creative and aloof, and perhaps more, creative because they are aloof. No matter, for in “For All I Care,” they have created an album that challenges and connects. Read the rest of this entry »
How often do you hear about Iceland these days? Sure, there are a few news stories every so often about their economy, but overall, not much seems to happen in that little island nation. You could ask someone on the street what they know about Iceland, and they’d probably mention Bjork, Sigur Ros, and something about Vikings. So imagine my surprise when I learned that the first metal album of 2009 to truly blow me away was by an Icelandic band. To be honest, I still don’t know what to make of that. All I know is that Reykjavik-based metal outfit Solstafir is simply one of the most exciting artists to come out of that neck in the woods since…well, since Sigur Ros. Read the rest of this entry »
ROGER POWELL, EATIN’ AN APPLE, SITTIN’ ON BLUE NOTE RIDGE
Author: Jeff Boule
Blue Note Ridge is Roger Powell’s fourth solo album. The largest difference between this album and the three preceding ones is that these previous albums were significantly synthesizer-based. As his former band–mate, Todd Rundgren used to say, “you were born, to synthesize”, and this new CD on Fossil Poets Records is largely based on piano. Plain old acoustic piano with maybe a synth note here and there.
B.B. King’s Latest–Do Yourself a Favor
Author: John Moses
There must be something about the blues that keeps its disciples young. B.B. King turned 83 last September (16th). I saw him last June at the Chicago Blues Festival, when he headlined the festival on a rainy Sunday night. We were getting soaked, but the crowd kept growing, right up until show time. He walked onto stage very slowly and he performed sitting, as he has for a few years. Old age might make walking difficult, but it hasn’t silenced his booming blues growl and it sure hasn’t weakened his guitar skills. Read the rest of this entry »
Pop! Straight Out of Scandinavia
Author: Adrienne Brown
When it comes to our choices of music, we all have guilty pleasures. During my formative years, I was a huge New Kids on the Block fan. I tortured my parents to purchase every poster, cassette tape (yes, it was that long ago), and piece of merchandise I could get my hands on. My love of NKOTB even helped me to become elected to my intermediate school student council. However, as time moved on, so did my taste in music. By the time high school arrived, I had abandoned pop music in exchange for alternative bands like Nirvana and Depeche Mode.
Records from my shelf – Brian Auger’s Oblivion Express
Author: Doctor B
Brian Auger’s Oblivion Express
Closer To It
Original vinyl: RCA APL1-0140
CD Reissue: Fuel 2000 Records
I pulled this record, which I’d found years ago in a bargain bin, off my shelves just the other day and slapped in onto my garage-sale-bought Harman-Kardon turntable. Damn, but I’d forgotten just how flat-out funky this album is! Read the rest of this entry »
“You Got Yours! East Bay Garage 1965-1967″
Author: Beverly Paterson
Jimmy Hall, the lead singer for the Mighty Jeremiahs, described their music as, “ZZ Top meets Mountain and goes to church.” It’s not often that you find music that’s as elemental and powerful as The Mighty Jeremiahs’. These guys truly makes a “joyful noise.” It’s raw, passionate and fun. If you like guitar-driven rock and blues, you should enjoy this music, whether you’re more spiritual or more secular. OK, so you might say that gospel music isn’t your thing. I can accept that, but if you don’t give this CD a chance, you’ll miss one of the best “plug-in-your-electric-guitar-to-a- stack-of-amps-and-let-it-wail” records in years. If you crank up the volume on the first cut and leave it there, you just might get closer to God. Read the rest of this entry »
March Madness: Jeers, Cheers and Slam Dunks
Author: Anthony Medici
It’s that time of the year, when professional basketball teams, under the aegis of the NCAA, play out the ritual basketball frenzy known as March Madness. Oh sure, they represent various colleges (64 to be exact), but this is Big Business; perhaps, one of the few big businesses still making a go of it in our recession-racked economy. There will be the usual cheers, jeers and slam dunks to enliven one’s viewing. We have a few of our own. Read the rest of this entry »
From Princeton to Virginia Woolf
Author: Adrienne Brown
When driving on the crowded roads of Middlesex County, I often seek the solace of music that allow me to reflect on simpler times. Growing up on the Jersey Shore, some of my best memories occurred during spring visits to the seashore. This winsome feeling is encapsulated in the carefree sounds of the indie pop trio Princeton. Hailing from Los Angeles, Princeton is an aural fix for the winter blahs. Read the rest of this entry »
The Sixties Live! — on You Tube
Author: Bob Bembridge
Robin Williams said if you remember the Sixties, you weren’t there.
One thing you couldn’t forget was the music. Bob Dylan sparked an artistic renaissance in rock music which hasn’t been equaled since. Most of those great songs of the Sixties are now available on You Tube. Here are a few of my favorite music videos which you can check out for yourself. (I’m recommending the You Tube video which contains the best available sound recording of each song.) Read the rest of this entry »
DIONYZA: “Quite Like Me,” Sophisticated Generational Bridge
Author: Leigh Silbernagel
DIONYZA
“Quite like Me”
Little Dizzy Records
DIONYZA has a polished sophistication to her skilled, soulful, modern R&B styled music. The daughter of Motown singer/songwriters Michael and Brenda Sutton is a welcomed newcomer to counterbalance the dime-a-dozen-divabots that are taking over the music scene. Her lyrical content and style heralds back to Chante Moore and Maysa Leak.
Chick Corea: Artist of the Year? Is This Really 2009?
Author: Anthony Medici
Time to get back to work. The holidays are mercifully over. I was able to use a lot of my unused leave at my real job (and just to repeat, I do not work in a record store, nor do I work for Princeton Record Exchange alas). I took last week off from blogging and just kicked back to listen to music and read, so far as I could in between all the usual holiday hoopla. During that time, I managed to listen to 54 CDs and LPs (rather uncharacteristically, I decided to keep track) and read several interesting jazz books. I’ve been wondering: is this too much, or not enough? A vague feeling of guilt hovers about me (probably due to my parochial school upbringing): was this time well-spent?
Let me review briefly what I listened to and read, and you can form your own response to the question I’ve asked myself.