sell cds and sell dvds

Archive for the 'Concert Reviews' Category

Seeing Filligar Live

Author: Eliza Varner
04 15th, 2009

Last Friday I had the opportunity to go to a Live Campus show here at Dartmouth. Held in the commonground of Collis (our student activities center), with a minimal donation, we could go see several live bands as well as get pizza, soda, and free beer (21+ with ID). What a perfect way to spend the first Friday night of Spring Term.  Read the rest of this entry »



Animal Collective Live In London

Author: Andrew Overton
04 4th, 2009

Last night I finally was privileged to experience the magic of Animal Collective live. The band (less Deakin) has been tweaking many of the tracks that eventually ended up on the brilliant Merriweather Post Pavilion. Since the ground-breaking album dropped on the 20th of January AC has only done four gigs in the U.S. so very few Americans have heard their favorite Merriweather tracks live. I am fortunate enough to be studying in England and was able to catch them towards the end of their European tour at the HMV Forum in London. Read the rest of this entry »



03 24th, 2009

There must be something about the blues that keeps its disciples young. B.B. King turned 83 last September (16th). I saw him last June at the Chicago Blues Festival, when he headlined the festival on a rainy Sunday night. We were getting soaked, but the crowd kept growing, right up until show time. He walked onto stage very slowly and he performed sitting, as he has for a few years. Old age might make walking difficult, but it hasn’t silenced his booming blues growl and it sure hasn’t weakened his guitar skills. Read the rest of this entry »



03 22nd, 2009

The liner notes to his recent CD, “Sketch,” put it bluntly:  “David Schnitter is the jazz world’s forgotten messenger, a marvelous musician who just happened to be in the right place before the right time.”  Except I would amend that statement to read:  “…in the right place after the right time.”   For Schnitter was not just a “jazz messenger,” but a “Jazz Messenger,” one of the members of Art Blakey’s Jazz Messengers, a graduate of Blakey’s famed College of Hard Bop, that saw such other alumni as Lee Morgan, Wayne Shorter, Freddie Hubbard, Jymie Merritt, Cedar Walton, Curtis Fuller, and Bobbie Timmons.  I went to Twins Jazz last night to hear Schnitter and to see if the jazz message was still being delivered.  Read the rest of this entry »



The rain has played a soggy ostinato to my recent jazz adventuring.  A cold, hard rain fell as I set forth for Baltimore Saturday to catch the Marilyn Crispell/Gerry Hemingway duo performance at An Die Musik.  The Beltway was choked with traffic and fender benders littered the highway shoulders.  “Surely,” my Inner Couch Potato protested, “it would be better to stay home, slumber on the couch, listen to a record.”   But I have learned that regret is a stronger motivator than reluctance, and I would have regretted missing this performance by these two Guggenheim Fellows and alumni of Anthony Braxton’s famed Quartet. Read the rest of this entry »



Well here is your intrepid blogger, deep inside enemy territory.  I mean crazy deep; I can count at least three laser-sight dots on my flak vest.  Firstly, I am sure I have bad-mouthed this venue, as it likes to jerk its customers around.  If I haven’t maybe I should now.  For one show they offer you luxurious accommodation at a particular price, and then for a next show, you pay that same price and get a barstool.  CRIPES!!  That was a shot close to my ear!  Next, I MUST address some recent King Crimson issues (Wetton was the bass player in the`70’s incarnation):  If you all think I am spewing sour grapes as I won’t be able to see the 40th Anniversary King Crimson shows alleged to be taking place on the west coast, I refer you to the August 2008 archive where my review of the August 16th Nokia Theatre performance in New York City lie in state for all to examine.  If my ramblings got the Brain and the Bald One to reconsider their heinous acts, so be it!  I would be open to ghost authoring the Bald One’s book.  He once referred to himself as dumb-as-a-shovel…  BAIL OUT!!!  That was a concussion bomb, about thirty feet away.  I need to interject that should I not make it out of this review alive, please scour the wooded areas of Mount Juliet, TN for my remains.  Lastly, I am inside the stomping ground of the Birdwoman, the pipeline to the Bald One.  If I fart, she tells The Bald One.  DUCK!!!!

Read the rest of this entry »



I was flat, under the weather, not inclined to move from the couch.  All week long, co-workers were shuffling about, afflicted with flu, colds, sneezing, coughing- you get the picture.  Some of those flu bugs seemed to have jumped ship and joined me.  On top of that, even the weather was flat: cold, damp, with rain and sleet in the forecast.  Plenty of excuses to stay home.   But the Ethnic Heritage Ensemble was playing at An Die Musik in Baltimore, and I knew I had to go.  It was a night “wondrous strange.” Read the rest of this entry »



When I first heard about Utopia’s new bass player back in 1977, I wondered if he would last.  “Who is this Kaseem Sooltan?” I asked.  The answer is extraordinary talent, a level-headed sensibility and a close eye on Todd Rundgren have kept him working with industry names such as Mick Jagger, Joan Jett, Patti Smyth and most notably as musical director for Meatloaf, as well as being part of the foundation of the Bat Out Of Hell original album and a right-hand man to Rundgren since Utopia’s evaporation in 1992.

Read the rest of this entry »



Road Trip!

Author: Anthony Medici
02 22nd, 2009

Literally just back from an enjoyable but tiring road trip to New York City; I-95 seems to still be spooling out in front of me as I write this.  I decided Friday to take an impromptu road trip to visit my daughter in college in Brooklyn (the new hip place in New York), my brother in Joisey (New Jersey to you), buy a few records, and take in the Saturday Art for Art Show at The Living Theater on the Lower East Side.   Left Friday night and was back in DC for lunch on Sunday.  The trip  is a blur of images, sights, sounds, tastes:  delicious pizza at Pompilio’s in Westwood, NJ, traffic jams noon and midnight in NYC; LPs and more LPs; and blasts of passionate free jazz, and the sinuous movement of skilled dancers.  Read the rest of this entry »



Iraqi Jazz Fusion!

Author: Anthony Medici
02 8th, 2009

So, are you into Iraqi jazz fusion yet?  Or maybe you never heard of it?  I had a chance to listen to it last night (Saturday, Feb 7) at the Smithsonian’s Freer Museum Meyer Auditorium, in a performance by Amir El Saffar’s Two River Ensemble, with El Saffar on trumpet, santur, and voice, Rudresh Mahanthappa on alto sax, Nasheet Waits, drums, Carlos De Rosa, bass, and Jason Adasiewicz, vibraphone.  The place was packed– and your intrepid blogger was almost shut out. Read the rest of this entry »



Rundgren NYE Review Redux

Author: Jeff Boule
02 4th, 2009

Due to the extreme word count of the recent Todd Rundgren NYE Concert review, the comment section was disabled. Firstly, I’d like to use this unique opportunity to allow those readers who wish to comment on the review to do so at the end of this brief blog. When I started to receive emails at my home account containing comments about the review, I knew I would have to do something, well, like this! Additionally, I would like to extend tremendous thanks to Doug the promoter of the event for contributing fact checking and editing. So if you have a comment about the review I invite you to leave one after this blog. Thanks!



Alien Huddle in Baltimore!

Author: Anthony Medici
02 1st, 2009

Quick, name a top female saxophone player.   Quick, name a female tenor sax player in the free jazz, creative improvised music arena.  If nothing immediately leaps to mind, don’t feel too bad; unfortunately, it’s really not a crowded category.  I’m not sure what the reasons are for that state of affairs.  But it did add a bit of an edge to my interest to check out Danish saxophonist Lotte Anker, performing with Swiss pianist Sylvie Courvoisier, and Japanese electronics improviser Ikue Mori, the latter two now based in New York, while Anker remains based in her native Copenhagen.  I caught them this past Saturday at An Die Musik in Baltimore, last stop on their U.S. tour behind the release of their new CD, Alien Huddle.  Previous stops included Noo Yawk and Philly, and I had heard good reports on the show.  I was not disaapointed; in fact, the show continues to resonate with me. Read the rest of this entry »



To paraphrase the sappy, mushy title theme from the equally sappy movie Love Story of the `70’s, “Where do I begin, to tell the story of how great a night can be?” No minor exaggeration, this was one of those once-in-a-lifetime events that everyone who attended will not soon forget. The evening had everything every average Todd Rundgren fan would run a Ponzi scheme to get to.

Read the rest of this entry »



Free Jazz in Fortress America

Author: Anthony Medici
01 18th, 2009

On a frigid Friday, I set out from Our Nation’s Capital to the City of Brotherly Love to attend the Marshall Allen-Han Bennink concert, part of the Ars Nova Workshop series.  Leaving the DC area took on the trappings of departing from one of those doomed cities one finds in sci-fi movies, like “Escape from New York.”  Massive security procedures for the Inauguration have turned DC into a bunker complex:  bridges and roads closed; transit system overwhelmed and confused; people warned to stay away.  I needed a change of scene.  Read the rest of this entry »



This is the time of year when we look back, take stock of what was, both the highs and lows, and look forward to what the new year brings. Let’s start with the Top 5 Worst Jazz magazine Cover Stories of the Year, shall we? Read the rest of this entry »



Passing Ships and Cheesesteaks

Author: Anthony Medici
12 14th, 2008

This past Friday, your intrepid blogger set forth to face the challenges of I-95 from DC to Philly in order to attend the Ars Nova Workshop presentation of the Ron Horton Sextet performance of Andrew Hill’s Passing Ships. Since I love the music of Andrew Hill, I was more than willing to face the three hour drive each way (it’s the return trip late at night that’s tough). On my last trip up the same route, I ran over a large metal object in the road, destroying two tires (newly installed) on the driver side of my car as well as the front left wheel. So it was with some trepidation that I set forth. Fortunately, the storm that had deluged the DC area for several days lifted on the very monring that I left, leaving cold, grey but dry weather for the trip. I was looking for great music and great cheesesteaks. I found great music…. Read the rest of this entry »



For those of you not familiar with the name David Byrne, he was the strange man in the suit and horned-rimmed glasses chopping at his forearm in the Talking Heads “Once In A Lifetime” video. Talking Heads long-time producer, Brian Eno, has been a long-time collaborator of Byrne’s. The show was billed as The Songs Of David Byrne and Brian Eno, right there, you know it’s going to be…

Read the rest of this entry »



11 3rd, 2008

That Guitar man from Central Park; David Ippolito

Self-described as “Acoustic-storytelling like James Taylor might have written if heavily influenced by the Beatles and Broadway.”

Read the rest of this entry »



Going Dutch in Baltimore

Author: Anthony Medici
11 2nd, 2008

My pal and I traveled to An Die Musik in Baltimore, Maryland Saturday night to hear two groups: Trio Bramm, from Holland, and All Coda, all from the Baltimore area with the exception of New York-based saxophonist Tim Berne. There was exciting music on offer, all in a small (perhaps 80 seats), comfortable (got to love those stuffed armchairs), and in a welcome departure from much current practice, unamplified format (although the bass players and guitarist did use small amp pickups that did not alter the essentially acoustic nature of the set). The performances were excellent, and the in the case of Trio Braam, particularly interesting and inventive. At the end, though, I was left with a question that has vexed me of late. Read the rest of this entry »



10 30th, 2008

The story behind the album Arena is simply a tale born out of situational necessity. You die-hard Rundgren fans remember a couple of years ago (around the time the movie CARS came out) Todd had replaced Ric Ocasek in The New Cars (the ‘New’ being added in light of the minority percentage of returning members, only Elliot Easton and Greg Hawkes returned). Also joining Easton and Hawkes were Utopia and long-time Rundgren bassist and vocalist Kasim Sulton alongside drummer for The Tubes, Jefferson Starship and also a long-time Rundgren band member Prairie Prince. During the New Cars tour, the tour bus was in an accident and Easton fell from an upper bunk and broke his shoulder/collar bone. The tour was cut short, the cross-promotion with the Pixar movie was cancelled, and Rundgren found himself with nothing to do for a summer. Not wanting to waste a prime touring season, Rundgren spoke with Tony Levin band and long-time Rundgren guitarist Jesse Gress who contacted Levin and recruited him along with Levin Band drummer Jerry Marotta to do a two guitars bass and drums tour. Less expensive than touring with Midi and keyboards, etc.

Seeing as how he was going to be touring with a guitar-oriented band, not only did he have to limit his repertoire to guitar based or guitar-oriented or guitar adaptable songs, he also had to rearrange some keyboard-oriented standards for guitar.

Necessity is the mother of invention.

Read the rest of this entry »